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Photo Gallery has reached over 150k views!

Thank you to everyone that have visited Amy Lee Fans. Our photo gallery has reached over 150,000 views today and we appreciate everyone who has made this possible. To celebrate this milestone take a look at some of the most top rated photos in the gallery.

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Songs

Bring Me to Life
Inspired by a conversation Amy Lee had with her now-husband, Josh Hartzler, where he noticed she was emotionally numb despite her outward composure. The song reflects the moment of awakening to her own emotional reality.
Source: Evanescence Reference


My Immortal
Written primarily by Ben Moody, the song explores the haunting feeling of a lingering presence of a departed loved one. Amy Lee contributed to the bridge but has stated she does not connect with the song on a personal level.
Source: Wikipedia


Lithium
A metaphorical take on the struggle between embracing sadness and choosing to be numb. Amy Lee uses “lithium” to symbolize the choice between emotional chaos and emotional suppression.
Source: Wikipedia


Call Me When You’re Sober
A direct address to Amy Lee’s past relationship with Seether’s Shaun Morgan, dealing with themes of addiction and emotional manipulation.
Source: Evanescence Reference


Hello
One of Amy Lee’s most personal songs, written about the death of her younger sister who passed away at age three. It conveys her emotional turmoil and inability to cope with the loss.
Source: Evanescence Reference


Everybody’s Fool
A critique of the media’s portrayal of unattainable and hyper-sexualized beauty standards, and the pressure to conform to false ideals.
Source: Wikipedia


Sweet Sacrifice
Focuses on breaking free from an abusive relationship, with Amy Lee sarcastically referencing the concept of sacrifice in the context of toxic love.
Source: Wikipedia


Weight of the World
Expresses the overwhelming pressure Amy Lee feels as fans look to her for guidance and emotional support, a responsibility she sometimes struggles to manage.
Source: Evanescence Reference


The Game is Over
A call to drop societal facades and embrace authenticity, stemming from Amy Lee’s frustration with pretending to be okay when she’s struggling internally.
Source: Evanescence Reference


Wasted on You
Written before the COVID-19 pandemic but released during it, the song took on new meaning as fans related to feelings of stagnation and longing for change.
Source: Evanescence Reference


Imperfection
Addresses the tragic loss of a loved one and serves as a plea against suicide, urging people to embrace life despite its imperfections.
Source: Wikipedia


End of the Dream
A song about mortality and the fleeting nature of life, urging listeners to embrace the present and love deeply.
Source: Evanescence Reference


Together Again
Originally written for The Chronicles of Narnia but later released to raise funds for earthquake victims in Haiti. It speaks of loss and the hope of reuniting with loved ones.
Source: Evanescence Reference


Taking Over Me
Explores themes of obsession and unrequited love. Amy Lee has mentioned it was written from the perspective of a stalker but also holds personal meaning about her future husband.
Source: Evanescence Reference

Love Exists (L’amore esiste)

In 2017, American singer Amy Lee recorded an English language cover version of the song, titled “Love Exists”. Her cover was published online and released as a single on 10 February 2017. On the digital single, two different remixes of her song were featured as well as an instrumental version. Lee decided to rework the song while in Italy, working on the music video of her song “Speak to Me” recorded for the film Voice from the Stone (2017). The singer revealed that she had heard “L’amore esiste” on the radio, and afterwards “it seemed to follow me everywhere, got under my skin and just wouldn’t leave”. She elaborated, “I couldn’t stop listening to it, over and over the whole way home. I started piecing together what the lyrics meant and wrote my own twist on them in English.” The singer afterwards presented her work to producer Guy Sigsworth whom she convinced to join her in New York and help her recreate “L’amore esiste”. Dave Eggar was the one responsible for the string arrangement and the group recorded the song in a week at Flux Studios. Lee further elaborate on the work behind the song, saying,

“What an incredibly fulfilling experience it was to make this beautiful thing. And with such a talented, down-to-earth, and inspired team- with no rules or limitations beyond the ones we created. Guy pushed me in new ways and I learned a few things. It was a unique honor to work beside someone I admire so much on something that at the time had no plan, no album to go on, and made no sense other than how good it felt. It’s easy to get bogged down by the ‘point’ sometimes, when what matters most in my opinion, in music-making, is following your heart. Finding a way to satisfy that deep need to express something that can’t be said with words alone.”

The ballad begins with a gentle synthesizer and a delicate melody which progressively adds more layers, including string arrangements. Lee’s vocal performance in the song was described as “tranquil, subdued” during the verses and with “uplifting power and a soulful wail” during the chorus. Joe DiVita from the website Loudwire felt that overall, the song “resides on the more soothing side of things”. Idolator writer Mike Wass praised “Love Exists”, calling it “the best power ballad Celine Dion never sang — albeit with a pleasing twist of darkness”.The song managed to appear at number four on the Belgian Ultratip chart in Wallonia on 18 March 2017.

Evanescence

Behind the Scenes of Evanescence’s Summer Tour

Check out the tweet Evanescence has posted with a behind the scene peak of their tour.

Evanescence

Amy on what’s next “We’ll start writing next year for the next full album”

Evanescence’s Amy Lee has been fulfilling a creative passion over the past year, first releasing the Synthesis album including reimagined orchestral versions of the band’s music and then taking their show on the road with orchestral backing. Earlier this summer, Evanescence kicked off a co-headline tour with Lindsey Stirling.

Loudwire spoke with Lee about the tour, Stirling and opening act Cellogram, and the unique Ozzy Osbourne-Sia show-closing mashup. Lee also spoke about Evanescence’s future plans, which includes a loose timeline to start their next album.

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Evanescence

Evanescence & Lindsey Stirling Embody Fire and Grace at NJ Show

Evanescence took a risk with their 2017 album Synthesis by reconstructing its material into elegant orchestrations that enhanced aspects of its music that are often ignored. Then it upped the stakes by bringing the production on the road with a rotating cast of symphony members at each stop. The band delivered a riveting performance during Friday Night’s (Aug. 10) date at PNC Bank Arts Center in Holmdel, N.J., where the backing ensemble impressively brought to life the classical elements that infuse Evanescence’s music. Following the captivating set was a smart pairing with electric violinist Lindsey Stirling, a co-headliner who energetically balanced the evening.

The two acts utilized the symphony in contrasting ways. Evanescence could have been tempted to pump up the bombast at every turn since its catalog possesses a fair share of melodrama. But the full force of the orchestra was only unleashed when building up to the zenith of highlights including “Bring Me to Life” and “My Heart Is Broken,” increasing its impact.

The same could be said for singer Amy Lee, who alternated between sitting behind a piano and swaying before a mic stand as she delved into every nuance of her vocals. It would have been appropriate to go total diva, but her emotional connection to the material propelled her voice rather than all the wind in her lungs. It especially paid off when she serenaded the crowd with the practically a cappella “My Immortal.” Singing to a galaxy of cell phone lights, Lee won a much deserved standing ovation for her stirring rendition of the ballad.

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Evanescence

Six Facts About Evanescence’s Co-Headlining Tour With Lindsey Stirling

Since Evanescence released its multiplatinum debut, Fallen, in 2003, band leader Amy Lee has taken her time in crafting successive albums. Her determination to make quality-driven music has resulted in a limited studio output that includes 2006’s The Open Door and 2011’s Evanescence. It’s a risky approach, but it doesn’t stress her too much.

“I really don’t worry about it. Maybe that sounds crazy, but I feel like too much emphasis is put on the time and maybe not enough on the products,” says the songwriter-performer. “I just want to make something great. If I can’t make something awesome that I’m not ready for or don’t believe in … I won’t make it.”

The dedication of Evanescence’s followers lets her take whatever time she thinks is necessary. “Our fan base has proven to me that it doesn’t really matter how long how it takes. They keep coming back. It’s such a beautiful thing. I hope that continues.”

So when the band dropped 2017’s Synthesis, it was a surprise that instead of delivering all original music, Lee had reconstructed material from the aforementioned albums with an orchestra. After introducing Synthesis with new track “Imperfection,” Evanescence launched a North American tour that ran October-December to support the project. To do it justice, a full orchestra backs the quartet. The run has been captured for the upcoming Synthesis Live CD/DVD that’s due Oct. 12 on Eagle Vision. Lee calls the experience so far “extremely educational and interesting.” [Source]

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Evanescence

Save “Hi-Lo” by Evanescence ft. Lindsey Stirling for a chance to win!

Save “Hi-Lo” by Evanescence ft. Lindsey Stirling on Spotify to be entered for a chance to win front row seats to the Evanescence concert of your choice. Two (2) runner up winners will receive an Evanescence merch bundle. https://bit.ly/2OX5WbG

Synthesis Live With Orchestra Trailer

Synthesis Live With Orchestra Trailer
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