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Amy Lee admits she is still blown away by her fanbase in Scotland after nearly 20 years of touring the world. The rocker, 37, will return to her favourite country next year alongside fellow big-hitters Within Temptation as part of a blockbuster partnership. And the Bring Me To Life and My Immortal singer admits she still gets goosebumps any time she gets on a Scottish stage. [Read Entire Article]
We are heartbroken we didn’t get to play for you tonight, México City. Your safety, your life is more important than any show! We love you and we will be back soon, that’s a promise. https://t.co/1hfLd4qA0O
I’m proud to lend my voice to this reimagining of “The Chain” for Gears 5. I was drawn to the story of Kait overcoming fear and standing up to fight. Her story of breaking out with her own voice is most definitely one I relate to! https://t.co/LPtDuNu0A2
Switzerland🇨🇭🇨🇭🇨🇭!! We're thrilled to announce that our Sept 1st show at Riverside Arena is a co-headliner with @WTofficial! This is the first time we've ever performed together on the same stage. It will be an unforgettable night that you won't want to miss, so get your tix now! pic.twitter.com/3gi7RDP8w1
Beyond the Boys’ Club is a monthly column from journalist and radio host Anne Erickson, focusing on women in rock and metal music, as they offer their perspectives on the music industry and discuss their personal experiences. This month’s piece features an interview with Amy Lee of Evanescence.
There’s no denying that Evanescence were a game changer. When Amy Lee and company came on the scene in the early 2000s, it was a time when mainstream and active rock radio had nothing but male artists on the charts. Evanescence found themselves an anomaly alongside bands such as Limp Bizkit, Creed, and others on the active-rock radio airwaves.
Fast-forward to today, and mainstream rock radio plays a bevy of female-fronted bands, from In This Moment to Halestorm to The Pretty Reckless.
It’s safe to say Evanescence played a large part in mainstream-rock radio opening its mind to playing a female voice on the airwaves, although Lee is humble about it.
“It’s hard to really take credit, because for me, there were a lot of women that came before me,” Lee tells Heavy Consequence. “There’s Shirley Manson — there were some powerful women in my sphere in the ‘90s and the alternative era that we’re killing it. Gwen Stefani, too.”
“It’s not like I was the first-first, but to go into that active-rock space and be able to break through like we did, I did see that it was special.”
Lee spoke with Heavy Consequence for the latest Beyond the Boys’ Club column, discussing the obstacles she faced early on in her career, the rise of women in hard rock and metal over the years, her recent experience touring with a full orchestra, new Evanescence music, and more. [Full Article]
The plan is for us to work on a new album next. We don’t have a timeline going on right now — we’ve been focused on [the Synthesis] tour and this whole crazy massive thing we’ve been doing. But, yeah, that’s totally the plan. You will hear from us. - Amy Lee via Detroit's WRIF 101.1 FM
Evanescence return this fall with Synthesis, their fourth studio album, slated for a Fall 2017 release. The group today, August 14, announced the “Synthesis Live” tour will launch this fall beginning October 14 on the west coast. Like the album, “Synthesis Live” will feature a re-imagining of some of Evanescence’s best-loved songs with the spotlight on full orchestra, electronics combined with the band and Amy Lee’s virtuoso piano and voice.
The track is the lead single and one of the new songs from album ‘Synthesis’ – a reworking of some of the band’s best-loved tracks performed with a full orchestra and electronic elements. ‘Imperfection’, is an emotional moment dealing with suicide and depression.
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