Amy Lee Applauds “The Rehearsal” for Featuring “Bring Me to Life” Once Again—This Time with a Stunning New Vocalist

In an exciting moment for both Evanescence fans and followers of the HBO series The Rehearsal, Amy Lee recently took to social media to express her admiration for the latest episode—which once again includes a rendition of the band’s iconic hit “Bring Me to Life.” This time, however, the performance is delivered with a fresh twist by Isabella Henao.

Amy Lee praised Henao’s performance, saying: “Isabella you were amazing! Love all the cool ad lib at the end and also super impressed you did all that in those heels!” Lee’s enthusiasm highlights how deeply she supports new interpretations of her work, especially in bold, creative contexts like this one.

The Rehearsal, created by Nathan Fielder, is known for blending reality with fiction in surreal and emotionally layered scenarios. While we won’t spoil the plot, this new episode offers yet another fascinating entry in the series—and “Bring Me to Life” plays a memorable part in its unfolding.

🔗 Watch the new episode on HBO Max

Evanescence • Fallen

Evanescence Featured in HBO’s The Rehearsal Season 2 — A Surreal Tribute to “Bring Me to Life”

Evanescence fans were treated to a thrilling surprise in the latest episode of HBO’s critically acclaimed series The Rehearsal, created by and starring Nathan Fielder.

The show, known for its mind-bending mix of reality, satire, and emotional exploration, took an unexpected musical turn by featuring the band’s legendary hit “Bring Me to Life.” Without giving away any plot details, let’s just say the song plays a memorable role — one that’s both thought-provoking and oddly touching.

A Moment of Evanescence

Originally released in 2003, “Bring Me to Life” became an anthem of the early 2000s, known for its intense emotion, gothic atmosphere, and Amy Lee’s powerhouse vocals. In this new context, the song reemerges in a fresh and surprising way, proving its continued cultural relevance more than two decades later.

Whether you’re a longtime Evanescence fan or just discovering their music, this episode offers a new lens through which to experience the iconic track.

The Rehearsal Season 2

Fielder’s unique storytelling continues to challenge viewers’ expectations — blending personal reflection with absurd humor and deep philosophical questions. This season brings even more layered, thought-provoking content, with a few unexpected cultural references woven in for good measure.

No spoilers here — but Evanescence fans should absolutely watch this episode.

Watch the Song That Stole the Scene

Evanescence • Throwback

Throwback Thursday: Evanescence Rise to Fame

Every Thursday we dive into some nostalgic moments and reminisce about the rise of Evanescence, whose trademark theme was mixing gothic rock and haunting melodies into the mainstream among the early 2000s.

It all started in Little Rock, Arkansas, where a young Amy Lee and guitarist Ben Moody met at a youth camp whilst they started writing music together. The humble beginnings would eventually take Evanescence to the top of the charts with their groundbreaking debut album, “Fallen,” in March 2003.

Evanescence live at the Music Farm in Charleston, SC 2003

“Fallen” isn’t just an album — it’s a cultural moment, a phenomenon. “Bring Me to Life”, “My Immortal,” and “Going Under” spoke to a generation with their emotional resonance and dark, cinematic sound. With Amy Lee’s soaring top notes, Evanescence pushed into a realm of music history through their fusion of the rock, metal, and orchestral genres.

Particularly, “Bring Me to Life” was propelled to stardom for the inclusion within the 2003 movie Daredevil. The Grammy Award for Best Hard Rock Performance was awarded for the single and “Fallen” went on to sell over 17 million units throughout the world.

Despite lineup changes, personal struggles, and long gaps between albums, the evolution has continued, staying true to their emotional intensity and musical ingenuity. From The Open Door historically representing growth in 2006 through to Synthesis in 2017 and The Bitter Truth in 2021, these albums talk about growth, resilience, and artistic bravery.

The throwback today celebrates not just an account of success in their early days but the everlasting essence of Evanescence: a band that dared to be different and change the face of rock music forever.

What’s your favorite memory of Evanescence? Drop a comment below and let’s share certain moment!

Amy Lee

Amy Lee Reveals Personal Turmoil Behind Success Of Fallen

Evanescence vocalist Amy Lee has revealed that the success of the band’s 2003 debut Fallen was overshadowed by fears for the health of her brother.

In an exclusive interview with Kerrang!, Lee opens up about her personal life during the upswing of her band’s popularity following the release of the single Bring Me To Life.

“My life has been so full of extremes,” says Amy. “It’s hard to sum up what it was like when it was all happening because it was happening fast, but there was so much else happening at the same time. I’ve had major tragedies in my life and major victories, too. But at the time the first song, Bring Me To Life, made it to Number One in the UK, and the next song [Going Under, which charted at eight in the UK]… It was all happening and we were at the GRAMMYs.”

“That whole year, as much as it was wonderful, at the same time, my brother Robby was having brain surgery and facing the fact that he might not ever be okay,” she continues. “And my family was so happy and so excited for me, and I realised there was a lot of turmoil within the band behind the scenes at that time. There was so much going on. It was wonderful and also terrifying, and a lot of learning happened. I’m grateful for it all. In some ways, I’m a lot happier to be where I am now than where I was then.” [Full Article @ Kerrang!]

Evanescence

Amy Is Glad To Release Rap-Free Version Of Bring Me To Life

EVANESCENCE’s Amy Lee spoke to Australia’s News.com.au about her decision to re-record the band’s old material with a full orchestra and heavy electronics for the “Synthesis” album. The disc, which is due on November 10, includes a re-imagining of the group’s breakthrough 2003 hit “Bring Me To Life” without the guest rap by vocalist Paul McCoy.

“God bless the rap, it’s part of what got us on the radio, I guess,” Lee said. “At least according to all the rules of radio that I don’t agree with or understand. The rap wasn’t part of our original idea or sound, it was a compromise in many ways. So to be able to go back to the original vision for the song was great.”

According to Amy, “The recording of a song that ends being the one you hear the most through history is usually when the song was just freshly written. You’re still learning it yourself and getting used to what the notes are and how the parts go,” she said. “That’s true for ‘Bring Me To Life‘, for sure. After doing it live for so long, there’s different vocal choices I’ve made and different things we got to use in this version.”

Fourteen years after “Bring Me To Life” was released, Lee says she “forgets” the rap’s there in the original version of the song. “At the time it was a big issue, it was our first single,” she said. “I wanted people to understand who we were. That’s a struggle you always fight as an artist. If we only had the one hit, if no one ever heard from us again, then nobody would understand who we were. We’ve made it past that point, so the rap doesn’t make me angry anymore. I’m so glad to put a new version out there without the rap, though.”

“Synthesis” features full orchestration in a completely synthetic world of beats and sounds, with help from arranger and composer David Campbell. The disc contains two new EVANESCENCE songs in addition to fan favorites re-recorded with a live orchestra and electronica.

“Synthesis” includes a guest performance by famed violinist Lindsey Stirling on “Hi-Lo”, one of the new tracks on the album.

[Source]

Evanescence

Amy Lee is rewriting history on the band’s new album

Their fourth release Synthesis is the opposite of an unplugged effort — rather Lee has re-recorded the band’s old material an even more dramatic and bombastic manner, with a full orchestra and heavy electronics. That includes their breakthrough 2003 hit Bring Me To Life. And there’s something missing from the version you know — that rap, by guest vocalist Paul McCoy.

“God bless the rap, it’s part of what got us on the radio I guess,” Lee says. “At least according to all the rules of radio that I don’t agree with or understand. The rap wasn’t part of our original idea or sound, it was a compromise in many ways. So to be able to go back to the original vision for the song was great.”

It’s not uncommon for an artist to go back and record their songs — Lee embraced being to able to revisit the band’s signature hit after performing it live at every concert they’ve played since it was release. “The recording of a song that ends being the one you hear the most through history is usually when the song was just freshly written. You’re still learning it yourself and getting used to what the notes are and how the parts go. That’s true for Bring Me to Life for sure. After doing it live for so long there’s different vocal choices I’ve made and different things we got to use in this version.” And no rap. “I forget the rap’s there now to be honest,” Lee says. “At the time it was a big issue, it was our first single. I wanted people to understand who we were. That’s a struggle you always fight as an artist. If we only had the one hit, if no one ever heard from us again then nobody would understand who we were. We’ve made it past that point so the rap doesn’t make me angry any more. I’m so glad to put a new version out there without the rap though.”

Similarly there’s an adult version of another Evanescence anthem, My Immortal — like Bring Me To Life it’s been the subject of countless covers and soundtracked many moody memes. Lee admits My Immortal almost got cut from Synthesis. “People have heard it so many times, I’m pretty open about the fact it’s not one of my favourite songs, but I couldn’t resist the opportunity to totally re-record it again.” Despite a “band” version being recorded for their 17 million-selling debut album Fallen, most fans and radio gravitated to the early version of My Immortal, which Lee recorded as a teenager sneaking into the studio her dad worked at after hours. “I hate that version. I totally hate it. It’s an old demo from before we were even signed. Every time I hear it gets under my skin, but that’s the version most people play. I love the album version we did. But I wanted to do a new version so people know where I am vocally as a 35-year-old with all of this experience I have now behind me. As opposed to when I was 17. It’s beautiful because it’s pure and innocent but I was definitely still finding my voice. [Source]

Evanescence

Pre-order Evanescence’s new album, Synthesis, on @iTunes

Don’t forget to pre-order Synthesis and get “Imperfection” & “Bring Me To Life (Synthesis)” instantly! https://lnk.to/synthesisFC

Evanescence

Evanescence bring their orchestra to the UK in 2018

After disappearing off the radar six years ago, Evanescence are ready to make their comeback this year. Following the upcoming November release of their album “Synthesis”, they will be embarking on a huge tour in 2018.

“Synthesis World Tour”

Just a month ago, Evanescence shared a remastered version of their iconic song “Bring Me To Life”, setting the tone for the rest of their album. With the help of producer Will Hunt and composer David Campbell who previously worked on “Fallen” and “The Open Door”, their classics will be brought back to life thanks to an orchestral and electronic backing. The band has promised an upgraded version of their songs.

And they have one more gift for their fans. “Synthesis” will also feature two exclusive songs. We can’t wait to discover the outcome of this ambitious project which will be available on 10th November.

Following the release of their opus, Evanescence will embark on a huge tour to present their album to fans. After a stop in America and France, they will bring their full orchestra to the UK in March and April 2018. You will find all the relevant information down below.

Ticket Information

Evanescence Concerts
30/03/2018 and 31/03/2018: London (GB) – Royal Festival Hall
02/04/2018: Manchester (GB) – O2 Apollo Manchester
03/04/2018: Nottingham (GB) – Motorpoint Arena
05/04/2018: Glasgow (GB) – SEC Amarillo
06/04/2018: Sheffield (GB) – Sheffield City Hall

Evanescence

Evanescence is Back Artist Direct Interview

Evanescence will be taking over 2010 with their highly anticipated third studio album due for late August/early September release date. Front woman, Amy Lee confirmed that Evanescence will be entering the studio this week to begin work on their third album with Grammy Award Winning producer Steve Lillywhite.

One of the coolest things I ever saw at a Disney event was when Lee took the stage at Nightmare Before X-Mas 3-D at Hollywood’s El Capitan theater two Halloweens ago for an entrancing, engaging and endlessly awesome rendition of “Sally’s Song” from Nightmare Revisited. She’s grown immensely as a vocalist, and this new album promises to be one of the most important rock records of the year.

“I can’t expain how excited I am to make this record,” said Amy Lee. “Over the past year and a half these songs have become the center of my life, and I can’t wait to hear what they grow into in the studio. I think our sound is evolving into something that will surprise people, in a very good way. I feel, as always, that growth can be an incredible, limitless thing if you let it. I never want to make the same album twice.”

The band, famous for hits like “Bring Me to Life”, “My Immortal,” “Going Under” and “Call Me When You’re Sober”, promises to stay true to the core Evanescence sound while integrating additional new sounds to create “another world.” The music’s core, which ranges from whisper- soft to painfully aggressive spans sounds of rock, goth and classical, led by Lee’s passionate vocals.

Evanescence is founder Amy Lee on vocals, piano, keyboards and harp; Terry Balsamo on guitar; Tim McCord on bass; Will Hunt on drums; and new collaborator Will “Science”, who will provide programming and drums, as well as additional production.

Evanescence has sold nearly 20 million records worldwide, more than 8 million in the U.S. alone, and won two Grammys® with their major-label debut Fallen, and a Grammy® nomination with their second album, The Open Door. READ MORE