Amy LeeThrowback

Flashback: Amy Lee in Kerrang! 14 June 2003

Flashback: Amy Lee in Kerrang! 14 June 2003

For this weeks throwback we visit June  14, 2003, When Kerrang! ran an in‑depth feature on Amy Lee—then just 21—fresh off the seismic success of Evanescence’s debut album Fallen. Shot at London’s Metropolitan Hotel on June 5, the spread opens with a striking portrait and Lee’s own words: “People hear our music and want to do things for us. They have a passion for it.”

Amy and co‑founder Ben Moody both hail from Little Rock, Arkansas—a state of barely a million people with no prior tradition of chart‑topping rock acts. Kerrang! leans into that contrast with a tongue‑in‑cheek rundown of odd Arkansas laws (no car‑horn tooting after 9 PM, sandwich‑shop fines for female teachers with bobs, etc.), underscoring how removed they once were from the world’s spotlight.

By spring 2003, Fallen had already climbed to #3 on the UK Indie chart and #4 on the US Billboard chart, with over 100,000 copies sold in the UK and more than a million in the US. It was “Bring Me To Life” that truly broke the band—Wind‑Up Records convinced conservative FM stations to play it “in the middle of the night,” MTV picked up the lavish video, and listeners flooded radio lines “for the next half hour” demanding to know who these newcomers were.

The interview offers glimpses of the June 2003 lineup—Amy on vocals and keyboards, Ben Moody and John LeCompt on guitars, Rocky Gray on drums, and Will Boyd on bass—and highlights the creative spark between Lee’s focused precision and Moody’s playful wit. Lee appears “paralysingly thin” in a red Mickey Mouse sweatshirt, her skin described as the “colour of coffee‑notepaper,” yet her intensity and sincerity shine through every answer.

Looking back from 2025, it’s remarkable to see how Amy’s early intentions played out. Fallen went multi‑platinum, sold‑out tours followed, and Evanescence’s sound evolved—but that core commitment to honesty and artistry, first captured in Kerrang!’s June  2003 issue, has never wavered. For long‑time fans, revisiting this feature is more than nostalgia; it’s a reminder of why we fell in love with Amy Lee’s voice—and why we still do, two decades later.

Note: see below for the rest of the images —

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Amy LeeEvanescence

EVANESCENCE’s AMY LEE Opens Up About Her Mixed Feelings For “Everybody’s Fool”

EVANESCENCE’s AMY LEE Opens Up About Her Mixed Feelings For “Everybody’s Fool”

Evanescence is currently basking in the glory of two decades since the release of their breakthrough album Fallen, and as usual, with the celebration, some details about the album have come to light. In a recent exclusive interview with Kerrang!, the band’s frontwoman and leader, Amy Lee, opened up about the mixed emotions she harbors for one of the album’s tracks: “Everybody’s Fool.” 

Lee admitted that the song’s lyrics reflect her youthful perspective, something she no longer fully identifies with. “It’s just the way it sounds when you read the lyrics,” she explained. “I was talking about high school and talking to, more than anything, my little sisters.”

The singer recalled her frustration with the pop culture influences that had captivated her younger siblings. “I was like, ‘Guys, that is not what’s cool, it’s not about what’s on the surface – that’s superficial, it’s about what’s in your heart,'” she shared.

Lee acknowledged that the song’s message of superficiality stemmed from her own experiences in the spotlight. “‘Everybody’s Fool’ started off from watching them and me being like, ‘Why are you idolizing something that’s fake?'” she explained. “I don’t like the way that it’s phrased.”

To reconcile her feelings, Lee decided to reinterpret the song’s meaning during the music video production. “When we did the video, I made it like it was about me,” she revealed. “I could relate to the way people see you on the big stage being very different to who you really are, and that’s not necessarily being what you wanted to be.”

Despite her reservations about the song’s original message, Lee emphasized that she doesn’t harbor any animosity towards “Everybody’s Fool.” “I don’t have any song that I’ve put out that I hate,” she affirmed. “It’s just that I’ve grown out of it a little bit.”

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Amy LeePhotos

Dive Into 1000+ New Amy Lee Photo Moments—Concert, Backstage & More

Dive Into 1000+ New Amy Lee Photo Moments—Concert, Backstage & More

We’re excited to announce a huge gallery update: more than 1000 new photos of Amy Lee are now live on AmyLeeFans.com! From dynamic on-stage performances to intimate backstage moments, this collection captures the full spectrum of Amy’s artistry and passion.

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Amy LeeEvanescence

Vocal Evolution: Tracing Amy Lee’s Singing Style

Vocal Evolution: Tracing Amy Lee’s Singing Style

Since the debut of “Fallen” from Evanescence back in 2003, Amy Lee has been one of the leading vocalists of rock, combining classical training with raw emotional power. Drawing from her background as a classically trained pianist and singer, she infused gothic-flavored melodies with operatic control and dramatic flair. Over five studio albums, her technique, tone, and interpretive nuance have evolved with the time, personal experience, and changing aesthetics of production. Just as comfortable singing haunting ballads or punctuating with arena-sized anthems, Lee’s use of dynamics with emotion makes every performance a showcase of an artist in evolution. In this deep-dive analysis, we follow the different phases of her journey-to-him vocal journey.

1. Raw Power & Gothic Drama on Fallen (2003)

On tracks like “Bring Me to Life,” Amy’s voice crackles with urgency. She balances a tight chest-voice belt against sudden head-voice shifts, creating that signature “open-door” effect in the opening lines.

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EvanescenceFallen

Throw Back Thursday Legendary Fallen Album

Throw Back Thursday Legendary Fallen Album

“Fallen”—now that’s a legendary TBT pick.  Released in 2003, and still hits like a storm. That album defined an era of emotional, dramatic, symphonic rock. Perfect for eyeliner-heavy moods and staring out rainy windows.

Here’s a mini Fallen throwback moment for you:

Top tracks from Fallen:

Evanescence

Evanescence Delivers an Electrifying Performance at Centre Bell, Montreal

Evanescence Delivers an Electrifying Performance at Centre Bell, Montreal

Last night, American Rock band Evanescence brought their signature sound to Montreal’s Centre Bell, delivering a powerful and dynamic set that left fans frenzied and seeped in nostalgia.

The band, currently on the Evanescence + Halestorm 2024 tour, performed a mix of fan favorites and deeper cuts, showcasing the range and intensity that has defined their career.

Evanescence, which means “disappearance” or “fading away” (from the word evanesce, which means “to disappear”), was decided upon by the band’s two founding members : former guitarist Ben Moody and Amy Lee, the band’s iconic frontwoman, who was her charming self throughout the evening, interacting with the audience and reminding them to stay true to themselves and not let anyone change who they are.

Her passionate messages resonated with the crowd, adding a personal touch to an already emotional night.

Preceeded by local band The Warning : 7:00– 7:30 PM and Halestorm : 8:00 – 9:00 pm, the headliners entered the stage with a setlist that included tracks such as “Artifact/The Turn,” “Broken Pieces Shine,” “Going Under,” and “Call Me When You’re Sober.”

Throughout the performance, Amy had several brilliant solo piano moments that highlighted her musical prowess. Her energy was infectious as she performed alongside her bandmates  (Tim McCord, Will Hunt, Troy McLawhorn and Emma Anzai), with each song building on the last to create a memorable concert experience.

Midway through the show, a video montage played on the big screen, recapping the band’s past 20 years of touring highlights, offering a nostalgic glimpse into Evanescence’s journey over the years.

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Evanescence

18 years of Fallen: The album that made Evanescence superstars

18 years of Fallen: The album that made Evanescence superstars

It sold 17 million copies and scooped two GRAMMY awards, but it was the personal impact that Fallen made on the band’s fans that positioned Evanescence above the alt.rock pack, elevating the Arkansas gang to superstardom. On the 18th anniversary of the record’s release, we’ve handed the keys of Kerrang! over to The Noise Cartel publicist Donnay Clancy, to tell just one of those 17 million stories and explain what made Fallen so special… [READ MORE]

Evanescence

10 Albums From the 2000’s

10 Albums From the 2000’s

Evanescence adds a level of interest to their songs that seems downright impossible to beat. Fallen is the ultimate showcase of their ability, ranging significantly in both tone and technical style. While each track is a haunting triumph in itself, the overall collection is a paragon of cohesiveness and eclecticism. [READ MORE]

Evanescence

Pre-order Fallen (Target Exclusive Vinyl)

You can pre-order the Limited edition Fallen vinyl at Target! Click here to pre-order.

Amy Lee

Amy Lee: the albums that changed my life

Amy Lee: the albums that changed my life

Taking cues from the worlds of classical and metal, Evanescence have always been a unique property amongst the early-noughties explosion of bands. But what records are responsible for changing the life and music of frontwoman Amy Lee? Let’s find out.

The first album I ever bought was…

The California Raisins– The California Raisins Sing The Hit Songs (1987)
“The California Raisins! Ha ha! It’s claymation raisins doing cover songs of The Four Tops etc. It was a big thing in the ‘80s and I was five years old. I must be the first person to ever be talking about The California Raisins in Metal Hammer.”

The album I wish I’d made is…

Nine Inch Nails – The Downward Spiral (1994)
“That’s a hard question! Oh man, The Downward Spiral. I want so many things out of music, but if that was my record… I could sing that whole thing and be very happy. I have all of NIN’s records, but …Downward Spiral is my favourite.”

The album that broke my heart is…

Björk – Vespertine (2001)
“Vespertine by Björk. It’s really eerie and mellow and it has pagan poetry on it. There are a couple of songs on there that are so beautiful and are, to me anyway, about letting go and accepting things in a really beautiful and kinda sad way.”

You can read the full article at [here].

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