The Wait Is Over: Watch Amy Lee & Halsey’s “Hand That Feeds” Official Video Now

After weeks of speculation and subtle teases, the official music video for “Hand That Feeds” by Amy Lee and Halsey has finally dropped—and fans are losing their minds.

The track, a dramatic and emotionally-charged anthem featured on the upcoming John Wick spinoff film Ballerina, has already made waves since its debut earlier this month. But it’s the music video, released on May 29, 2025, that has taken the hype to a whole new level.

The official music video for “Hand That Feeds” debuted on May 29, 2025. The video presents a dark, cinematic aesthetic that aligns with the film’s intense atmosphere. It portrays themes of betrayal, empowerment, and transformation, mirroring the song’s lyrical content. The visual narrative complements the haunting melody and powerful vocals delivered by both artists.

Critics have praised the song for its emotional depth and the seamless blending of Halsey’s and Amy Lee’s distinctive vocal styles. The track has been described as a “bold and cinematic anthem,” capturing the essence of the film’s narrative.

Fans have expressed enthusiasm over the collaboration, noting the powerful synergy between the two artists. The song has been highlighted for its compelling composition and the emotional resonance it brings to the film’s soundtrack.

You can watch the official music video for “Hand That Feeds” here:

Amy Lee • Throwback

Flashback: Amy Lee in Kerrang! 14 June 2003

For this weeks throwback we visit June  14, 2003, When Kerrang! ran an in‑depth feature on Amy Lee—then just 21—fresh off the seismic success of Evanescence’s debut album Fallen. Shot at London’s Metropolitan Hotel on June 5, the spread opens with a striking portrait and Lee’s own words: “People hear our music and want to do things for us. They have a passion for it.”

Amy and co‑founder Ben Moody both hail from Little Rock, Arkansas—a state of barely a million people with no prior tradition of chart‑topping rock acts. Kerrang! leans into that contrast with a tongue‑in‑cheek rundown of odd Arkansas laws (no car‑horn tooting after 9 PM, sandwich‑shop fines for female teachers with bobs, etc.), underscoring how removed they once were from the world’s spotlight.

By spring 2003, Fallen had already climbed to #3 on the UK Indie chart and #4 on the US Billboard chart, with over 100,000 copies sold in the UK and more than a million in the US. It was “Bring Me To Life” that truly broke the band—Wind‑Up Records convinced conservative FM stations to play it “in the middle of the night,” MTV picked up the lavish video, and listeners flooded radio lines “for the next half hour” demanding to know who these newcomers were.

The interview offers glimpses of the June 2003 lineup—Amy on vocals and keyboards, Ben Moody and John LeCompt on guitars, Rocky Gray on drums, and Will Boyd on bass—and highlights the creative spark between Lee’s focused precision and Moody’s playful wit. Lee appears “paralysingly thin” in a red Mickey Mouse sweatshirt, her skin described as the “colour of coffee‑notepaper,” yet her intensity and sincerity shine through every answer.

Looking back from 2025, it’s remarkable to see how Amy’s early intentions played out. Fallen went multi‑platinum, sold‑out tours followed, and Evanescence’s sound evolved—but that core commitment to honesty and artistry, first captured in Kerrang!’s June  2003 issue, has never wavered. For long‑time fans, revisiting this feature is more than nostalgia; it’s a reminder of why we fell in love with Amy Lee’s voice—and why we still do, two decades later.

Note: see below for the rest of the images —

Amy Lee • Evanescence

“Let the Games Begin” – Amy Lee Teases New Video for Hand That Feeds

Fans of Amy Lee and Halsey were sent into a frenzy today after Amy Lee posted a cryptic and cinematic image to her Instagram Stories—sparking speculation that a music video for their collaboration “Hand That Feeds” is officially on the way.

The image shows two powerful figures—both dressed in black and seated across from each other at a stark table in what appears to be a dramatic, dimly lit theater. The caption? A simple but chilling phrase: “Let the games begin.” Above the image, the song playing is none other than Hand That Feeds by Halsey and Amy Lee.

This visual tease feels like a high-stakes showdown—suggesting themes of conflict, duality, or strategy, which align with the emotional tension and layered lyrics of the track. Though no official announcement has been made about the video, this bold teaser strongly hints that something big is coming.

Originally rumored to be part of the upcoming Ballerina film soundtrack, Hand That Feeds features haunting vocals and powerful production—making it a perfect candidate for a visually rich, narrative-driven video. If this new visual is any indication, fans can expect a dark, intense, and possibly symbolic music video in the near future.

What We Know So Far:

The image was posted to Amy Lee’s official Instagram Story.

The song tagged is Hand That Feeds by Halsey and Amy Lee.

The photo appears to be a still from an upcoming video or promotional shoot.

No release date or video confirmation has been officially shared yet.

As the caption warns, let the games begin. Stay tuned for more updates, and prepare yourselves—because if this teaser is any indication, the full video is going to be nothing short of epic.

Amy Lee • Evanescence

Amy Lee Applauds “The Rehearsal” for Featuring “Bring Me to Life” Once Again—This Time with a Stunning New Vocalist

In an exciting moment for both Evanescence fans and followers of the HBO series The Rehearsal, Amy Lee recently took to social media to express her admiration for the latest episode—which once again includes a rendition of the band’s iconic hit “Bring Me to Life.” This time, however, the performance is delivered with a fresh twist by Isabella Henao.

Amy Lee praised Henao’s performance, saying: “Isabella you were amazing! Love all the cool ad lib at the end and also super impressed you did all that in those heels!” Lee’s enthusiasm highlights how deeply she supports new interpretations of her work, especially in bold, creative contexts like this one.

The Rehearsal, created by Nathan Fielder, is known for blending reality with fiction in surreal and emotionally layered scenarios. While we won’t spoil the plot, this new episode offers yet another fascinating entry in the series—and “Bring Me to Life” plays a memorable part in its unfolding.

🔗 Watch the new episode on HBO Max

Amy Lee • Evanescence

Throwback Thursday: The Haunting Beauty of Amy Lee’s “Speak to Me”

Released on March 17, 2017, “Speak to Me” is a hauntingly evocative ballad by Amy Lee, composed for the soundtrack of the psychological thriller Voice from the Stone. Directed by Eric D. Howell and starring Emilia Clarke, the film tells the story of a nurse named Verena who cares for a mute boy who believes he can hear his deceased mother’s voice.

The music video for “Speak to Me” was also directed by Howell and filmed at the Castle of Celsa estate near Siena, Italy—the same location used for the film. The visuals mirror the eerie, haunting atmosphere of Voice from the Stone, with Amy wandering through the desolate, castle-like setting, representing the lingering presence of the deceased mother.

Amy Lee collaborated with the film’s score composer, Michael Wandmacher, and Howell to craft the song, infusing it with personal emotion drawn from her own experiences as a new mother. Although the video features a young boy, it is not Amy’s son, Jack Lion Hartzler, but the director’s son.

Watch “Speak to Me” Music Video:

Amy Lee • Evanescence

Unconfirmed Evanescence Track “Fight Like a Girl” Listed for Ballerina Soundtrack – What We Know So Far

Evanescence is poised to make a notable return to the cinematic music scene with their new track “Fight Like a Girl,” reportedly featured in the upcoming action thriller Ballerina, set to hit theaters on June 6, 2025. According to IMDb’s official soundtrack listing, the song is performed by Evanescence featuring K.Flay and is penned by Tyler Bates, Amy Lee, Dylan Eiland (also known as Le Castle Vania), and Kristine Flaherty (K.Flay) .

“Fight Like a Girl” is expected to align with the film’s themes of empowerment and resilience, complementing the narrative of Ballerina, which centers on a ballerina-assassin seeking vengeance for her family’s murder. The movie stars Ana de Armas and is a spin-off within the John Wick universe .

Despite the IMDb listing, neither Amy Lee nor Evanescence have made official announcements regarding the song’s release or its inclusion in the film’s soundtrack. This absence of confirmation has led fans to speculate about the track’s style and its potential impact on the film’s atmosphere.

The collaboration with K.Flay introduces a fresh dynamic to Evanescence’s sound. K.Flay’s distinctive style, combined with Amy Lee’s powerful vocals, suggests a track that could resonate with both long-time fans and new listeners.

In addition to “Fight Like a Girl,” Amy Lee has recently collaborated with Halsey on the song “Hand That Feeds,” which is officially confirmed to be part of the Ballerina soundtrack. The track was released on May 9, 2025, and the duo performed it live at the Hollywood Bowl on May 14 .

As the release date for Ballerina approaches, audiences can anticipate a soundtrack that blends intense action with evocative musical contributions. Whether “Fight Like a Girl” will be officially released or remain exclusive to the film remains to be seen.

Ballerina is scheduled for release on June 6, 2025.

Amy Lee • Evanescence

Amy Lee and Halsey Ignite Hollywood Bowl Stage with ‘Hand That Feeds’ Debut

The Hollywood Bowl concert was a prime example of the evolving world of music, where artists in different genres come together to create remarkable moments. Halsey’s alternative pop finds away to combine with Evanescence’s evening of gothic rock and The Warning’s hard rock energy created a convergence of experience that could be enjoyed by many types of fans.

The partnership between Halsey and Amy Lee marks a personal milestone for Halsey, who has admired Evanescence since childhood. While promoting her 2024 album, “The Great Impersonator,” Halsey honored her influences by dressing as 18 of her musical heroes, including recreating the iconic “Fallen” album cover by Evanescence. Referring to Amy Lee as her “OG dark rock queen,” Halsey even shared a nostalgic childhood photo featuring her wearing an Evanescence t-shirt, noting affectionately, “I wore that shirt into the ground.”

Directed by Len Wiseman and produced by Chad Stahelski of the original John Wick films, “Ballerina” also stars Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, Ian McShane, and Keanu Reeves alongside Ana de Armas.

Evanescence’s contribution to “Ballerina” follows their recent release, “Afterlife,” from the Netflix series “Devil May Cry,” which premiered live for the first time during their electrifying Hollywood Bowl performance. [Source]

For a glimpse of the live debut of “Hand That Feeds,” you can watch the performance here:

Evanescence • Throwback

Throwback Thursday: Evanescence’s Unforgettable Self-Titled Album (2011)

This Throwback Thursday, we’re revisiting Evanescence’s powerful self-titled album era, released in October 2011. Marking a significant moment in the band’s history, this album showcased a revitalized sound and deeper lyrical introspection from Amy Lee and her bandmates.

One standout moment from this era was their electrifying live performance at the Rock in Rio festival in Brazil, held on October 2, 2011. Amy Lee, dressed in striking gothic attire, delivered an intense, passionate set that captivated thousands of fans in attendance and millions more watching globally.

A key highlight was their performance of “What You Want,” the dynamic lead single from the self-titled album, which exemplified Evanescence’s evolved sonic approach with energetic rhythms and powerful vocals.

Relive the excitement with this memorable performance:

Did you experience Evanescence live during their self-titled album tour? We’d love to hear your favorite moments—share your memories in the comments below!

Evanescence • Tour

Summer Tour Update: New Dates Added

Exciting news Evanescence fans! The band has just announced two new summer tour dates featuring an incredible lineup. Poppy and Black Map will join Evanescence for both shows, while Sleep Theory will be in Milwaukee and It’s Dorthy in St Paul.

Presale starts tomorrow – be sure to use the code “Afterlife” to grab your tickets and VIP packages before the general on-sale this Friday. Don’t miss out on this epic summer lineup!

Stay tuned for more updates and tour info.

Click here for more information!

Amy Lee • Evanescence

“Echoes of Loss and Hope: How Evanescence Soundtracked My Grief”

1. “Like You” from The Open Door

“It is about something that’s hard to even talk about but feels good to write about,” Amy Lee once said of “Like You,” one of the most personal songs on The Open Door. “It’s about my sister who passed away when I was a little girl. I was six years old and she was three. It’s affected my life and definitely affected my music writing, and it’s made me who I am. It’s one of those things that happens early enough in life that it forms you. I think in a lot of ways I made it a thing that I can use in a positive way in my life. I’ve learned from it and grown up, and I’ve always felt older. Twenty-four sounds young to me, it’s weird.”

“Like You” arrives just past the album’s midpoint, a ghostly lull amid hi-voltage guitars. The opening piano chords—simple, aching—let Lee’s voice float free, almost as if she’s singing across a vast emptiness. When the drums finally kick in, they don’t puncture the mood; they cradle it, as though honoring a memory too fragile to batter.

I connect to “Like You” on a deep level. I was four when my sister passed at six—too young to hold onto shared memories, yet old enough to feel a permanent ache. Whenever Lee’s voice soars on the bridge (“I long to be like you, lie cold in the ground like you. There’s room inside for two…”), I feel that same bittersweet lift: grief entwined with a yearning for reunion.

2. “My Immortal” from Fallen

“My Immortal” stands as one of Evanescence’s most enduring heart-rending ballads, its simple piano-and-strings arrangement laying bare every drop of raw emotion.

“These wounds won’t seem to heal, this pain is just too real
There’s just too much that time cannot erase”
Here, Lee captures the paradox of memory: the more you try to outrun it, the more it clings.

“I’ve tried so hard to tell myself that you’re gone
But though you’re still with me, I’ve been alone all along”
In these lines, hope and despair intertwine—she knows the truth of absence even as she fights against it.

Originally written on piano by Amy Lee and Ben Moody when they were just fifteen, “My Immortal” first appeared as a late-night demo featuring only Lee’s voice and a MIDI keyboard—no live strings. For the album’s “band version,” producers Dave Fortman and Ben Moody added guitar, drums, bass and a new string arrangement by David Campbell (building on Graeme Revell’s earlier orchestration), yet the final mix still centers Lee’s piano and vocals, preserving its confessional intimacy.

The bridge—where Lee admits that she’s “been alone all along”—resonates especially deeply. For me, it mirrored the loneliness of growing up with a shadow of her absence: surrounded by family’s love, yet carrying a solitary grief only I could understand. Just as the strings swell under Lee’s final refrain, I find catharsis in the release of remembering and honoring her, note by note.