Last night the Hollywood Music in Media Awards were held at the nightclub Avalon Hollywood in Los Angeles where Amy Lee‘s song “Speak To Me”, the end title theme from Voice From The Stone movie, won in the category best original song in an independent film.
The song competed with the following nominees:

• “Calling to Me” (One Percent More Humid) Written by Nathan Halpern. Performed by Emily Forsythe
• “My tiredness Hasn’t limit” (The Enchanted) Written by Ivan Ruiz Serrano, Ricardo Davila and Angela Boj, performed by Angela Boj
• “PBNJ” (Patti Cake$) Written By Geremy Jasper & Jason Binnick. Performed by Danielle Macdonald, Siddharth Dhananjay & Cathy Moriarty
• “Speak To Me” (Voice from the Stone) Written by Amy Lee & Michael Wandmacher. Performed by Amy Lee

“Speak to Me” is a song by American singer Amy Lee recorded for the ending credits of the independent movie Voice from the Stone (2017). It was published online and made available for digital download on March 17, 2017. For the song, Lee collaborated with the movie’s score producer Michael Wandmacher and director Eric Dennis Howell with whom she got acquainted to Voice from the Stone and its plot. Inspired by the movie’s story line which she could relate to her personal life as a recent mother, Lee decided to contribute to the soundtrack with an original song. Musically, “Speak to Me” is a piano ballad instrumentally complete with strings, booming drums and cellos and features lyrics in which the protagonist pleads for love.

Upon its release, the song received critical acclaim from music critics most of whom praised its haunting and cinematic sound accompanied by the singer’s trademark vocals. A music video for the song for which Lee collaborated with Howell was filmed at the same location as the movie, in Siena. It serves as a backstory to the movie and it features Lee singing the song and playing the piano in a gothic castle setting; shots of her walking at a garden with a boy are present throughout. As the song itself, the visual received positive feedback from critics who felt that it was a fitting accompaniment to the song’s overall musical style and the movie’s tone. [Source]