Nov04

Amy Lee in Music Week Interview

Amy Lee spoke with Music Week about the music industry and Synthesis. Read what she said:

In the new issue of Music Week, we speak to Amy Lee about the return of multi-million selling rock phenomenon Evanescence and their highly-anticipated new album, Synthesis. Only their fourth studio release in 14 years, the record sees Evanescence – completed by bassist Tim McCord, drummer Will Hunt and guitarists Troy McLawhorn and Jen Majura – present new material alongside re-recordings of some of their most defining songs, all with orchestral accompaniment.

Lee told Music Week that while Synthesis explores the group’s latent orchestral potential with long-term collaborator David Campbell, it was also a chance to show how far their musical skills have developed.

“There’s a lot of musical skill that I personally didn’t have,” said Lee. “When we were writing Bring Me To Life I was 19! So just the musical ability that I had when I was 19 as a writer, as a singer, as an everything, I can do all that stuff better now because we’ve had all this time and experience. In addition, living inside those songs live for all these years, it just forever gives you ideas.”

Lee also opened up about the prospect of following the blockbusting success of her past, with Evanescence’s 2003 debut selling 1,324,026 copies to date in the UK according to Official Charts Company data.

Fallen happened in the way that it happened,” Lee told Music Week. “You can’t even talk about record sales any more, it doesn’t mean anything but we kind of got set in a way that I was okay. We made some money and I always have poured that money into the next project. I have this ability to use that resource and the fanbase that we got from all those people who heard our music in the first place and cared about it enough to stick around.  I can use that, I don’t have to start [a project] by going, ‘Help! I need to do a Kickstarter! I need to find a label!”

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Nov04

Evanescence will be playing at the Foxwoods Resort Casino tonight!

Evanescence will be playing at the Foxwoods Resort Casino tonight! Get your tickets! http://bit.ly/2ynzhGE! They will be live streaming the opening of the show TONIGHT right  on their Facebook beginning at 8:45 PM EST!

Nov03

Evanescence gets the full force of an orchestra at Heinz Hall

It only took a few songs to see just how humble Evanescence’s frontwoman Amy Lee truly is. After belting out a completely re-imagined version of “Bring Me to Life,” the 2003 Billboard nu metal hit from the band’s debut album “Fallen,” Ms. Lee took a deep breath and exhaled.

“Regaining composure,” she said, while sitting at the piano on stage at Heinz Hall on Monday night. As organic globular shapes floated in the background, she crooned some of the gentlest lines of the song. “Breathe into me and make me real,” she sung, before moving into a chaotic storm of a chorus, dramatized by a full orchestra rather than just electric guitars. The strings and brass complemented syncopated drumming before Ms. Lee finished the song.

The lights faded to black over her long, dark hair and billowing, floor-length black gown. Despite nearly a decade and a half of touring, the vocalist still deeply emoted while on stage, as if she were singing to herself in her own bedroom. As part of Evanescence’s Synthesis tour, previewing the band’s fourth album after a brief hiatus, the band played mostly past hits from their three existing albums, re-envisioning them for an orchestra.

What may have been as subjectively depressing as Green Day’s 2009 foray into opera was actually a delight — while Ms. Lee and her bandmates shared the stage with a 28-piece ensemble, her voice emerged as the most noteworthy instrument. It was enough to make you wonder whether she was a rock star or an opera star.

“It’s honestly one of my oldest dreams to play in the orchestra,” Ms. Lee said. “So thank you for giving me that opportunity.” In songs like “End of the Dream” and “Your Star,” the classical instruments were met with electronic beats and audibly alluring sound effects, including crackles, noises like chains dragging against the floor and some eerie effects that sounded nearly ghoulish. [Source]

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Nov02

Interview featuring Amy Lee on Sonic Seducer

Watch the brand new interview of Amy Lee discussing the upcoming ‘Synthesis’ Album that is due for release on November 10th!

Oct31

Amy Lee Awarded Attorney Fees In Dispute With Management Company

According to TMZ, Evanescence singer Amy Lee was awarded more than a million dollars in legal fees in connection with a lawsuit brought against her by her former management company.

110 Management Inc. sued Amy last year for unpaid commissions and fees. 110 originally sought $1.5 million from the singer, and eventually lowered the demand to $335,000. An arbitrator finally ruled the management company was owed only $4,863.66.

Amy asked the court to award her attorney fees from 110 for the lengthy legal battle, and the judge finally decided that she was entitled to $1,036,773.68. But, according to TMZ, that’s all going to her legal expenses — $885,000 in attorney fees, $72,000 for expert witnesses and other administrative costs.

Lee is currently on the road with EVANESCENCE in support of the band’s next album, “Synthesis“, which is due on November 10. The disc features two new EVANESCENCE songs in addition to fan favorites re-recorded with a live orchestra and electronica.

[Source]

Oct30

Amy Lee Talks About Lindsey Stirling’s Appearance On ‘Synthesis’

The fourth in a series of webisodes featuring footage from the making of Evanescence’s next album, “Synthesis”, can be seen below. In the latest episode of “Inside Synthesis”, we explore the making of “Hi-Lo”, one of the two new tracks on the album, featuring a guest performance by famed violinist Lindsey Stirling. “Synthesis” is due on November 10. The effort features full orchestration in a completely synthetic world of beats and sounds, with help from arranger and composer David Campbell.

“Synthesis” contains two new Evanescence songs in addition to fan favorites re-recorded with a live orchestra and electronica. The “Synthesis Live” tour launched on October 14 on the West Coast. Like the album, “Synthesis Live” features a reimagining of some of Evanescence’s best-loved songs with the spotlight on full orchestra, electronics combined with the band and frontwoman Amy Lee’s virtuoso piano and voice.

“This is a total passion project for me. There are so many layers in our music, underneath the huge drums and guitars,” explained Lee. “I’ve always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation.

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Oct29

Amy Is Glad To Release Rap-Free Version Of Bring Me To Life

EVANESCENCE’s Amy Lee spoke to Australia’s News.com.au about her decision to re-record the band’s old material with a full orchestra and heavy electronics for the “Synthesis” album. The disc, which is due on November 10, includes a re-imagining of the group’s breakthrough 2003 hit “Bring Me To Life” without the guest rap by vocalist Paul McCoy.

“God bless the rap, it’s part of what got us on the radio, I guess,” Lee said. “At least according to all the rules of radio that I don’t agree with or understand. The rap wasn’t part of our original idea or sound, it was a compromise in many ways. So to be able to go back to the original vision for the song was great.”

According to Amy, “The recording of a song that ends being the one you hear the most through history is usually when the song was just freshly written. You’re still learning it yourself and getting used to what the notes are and how the parts go,” she said. “That’s true for ‘Bring Me To Life‘, for sure. After doing it live for so long, there’s different vocal choices I’ve made and different things we got to use in this version.”

Fourteen years after “Bring Me To Life” was released, Lee says she “forgets” the rap’s there in the original version of the song. “At the time it was a big issue, it was our first single,” she said. “I wanted people to understand who we were. That’s a struggle you always fight as an artist. If we only had the one hit, if no one ever heard from us again, then nobody would understand who we were. We’ve made it past that point, so the rap doesn’t make me angry anymore. I’m so glad to put a new version out there without the rap, though.”

Synthesis” features full orchestration in a completely synthetic world of beats and sounds, with help from arranger and composer David Campbell. The disc contains two new EVANESCENCE songs in addition to fan favorites re-recorded with a live orchestra and electronica.

“Synthesis” includes a guest performance by famed violinist Lindsey Stirling on “Hi-Lo”, one of the new tracks on the album.

[Source]

Oct27

Inside Synthesis Part 4 – Featuring Lindsey Stirling

Watch a BRAND NEW episode of Inside Synthesis featuring !

Oct27

Pre-order Synthesis & get “Lacrymosa” instantly!

Listen to Evanescence’s new track, “Lacrymosa”, off their new album, Synthesis, now! Pre-order the album & get it instantly! http://smarturl.it/Lacrymosa

Oct25

Evanescence confirm third London date for the “Synthesis tour”

According to Live Arena Evanescence confirmed a third London date for the “Synthesis tour” and the wait is almost over. In less than a couple of weeks, fans from all over the world will be able to hear Evanescence’s newest material. After six years away, the band will be back with their new album, “Synthesis”,  on 10th November, featuring a revamped version of all of their iconic songs from previous records. After giving us a taste of the overall feel of the album with a remastered version of their single, “Bing Me To Life”, Evanescence recently brought us a poignant new single, “Imperfection”, which deals with depression and suicide.

Evanescence will bring their latest material live to fans next Spring with a string of concerts up and down the UK. For those of you who still don’t have a ticket, we have some great news. The band will extend their stay in the country with one more concert in London on 9th April wrapping up their impressive tour.

Ticket Information

Evanescence in Concert
April 9th 2018: London (GB) – Eventim Apollo
Price
From £52.75 to £96.75
Tickets and reservations
On primary ticket outlets (sale opens at 9am on 27/10/2017):  TicketmasterUK